Technology is very important in our work, but the human factor is essential to achieve differentiation and stand out.
Daniel Saiz
Recording & Mixing Engineer (Stereo & Dolby Atmos) | Producer
He began his career in 1993 and has been based at Estudio Sacramento since 1996. He has worked at studios such as Metropolis and Abbey Road (London) and Guillaume Tell (Paris).
As an engineer and producer, he has worked with Ken Hensley, Glenn Hughes, Nick Carter, Camilo Sesto, Jørn Lande, Sergio Dalma, Irene Fornaciari, Caco Senante, Nach, Guaraná, and Pablo López, among others.
With a multi-genre discography and international reach, he has delivered projects for Membran, Edel, Sony, Cherry Red, and Universal.
For more than two decades, he has mixed film soundtracks—working with directors such as Vicente Molina Foix, Juan Luis Iborra, Carlos Saura, Eduard Bosch, Carlos Pérez Ferre, Antonio Hernández, Domingo Rodes, Antonio Cuadri, Manuel Iborra, and Adán Martín—and has mixed for television (series and documentaries).
Manu Ortega
Musician, recording engineer, mixer and producer
Graduate of the Oscar Esplá Conservatory of Music in Alicante with a major in Piano, he has over 15 years’ experience in the music industry, more than 500 concerts to his name, and hundreds of musical compositions. He balances performances with his band (Brit Band) with intensive studio work—composing, arranging, recording, editing, and mixing music and sound for audiovisual projects and other artists.
Passionate about music and master of virtual instruments, he has carried out numerous projects for artists such as Porta, Yesh, Amador de la Rosa, Mala Costumbre, Shani Ormiston, Beatriz Montiel (Singing to Mom), VaneM, David Solo, Blex, SyrioB. or Marvin Labara, covering different musical styles such as pop, rock, funky, hip-hop, trap, flamenco...
On the other hand, he also has experience in the world of cinema and advertising, something that he is passionate about and which he deepens every day. He has worked on the composition, recording and mixing of the original soundtrack for the short film “La Transmission” (2015), the documentary “Russian Masters Ballet Camp 2017” (2018), and the films “Bollywood Made In Spain” (2016, together with to Luis Ivars) and “The Invocation Of Enver Simaku” (2018, in which he has also been in charge of editing, editing and mixing the final sound).
Rafa de Juan
Technical of sound
His first contacts with the world of sound are as a musician and composer in different bands. Especially with the Alea formation, with which he released several albums.
As a result of co-producing these albums, he decides to study a Superior Cycle in Sound, where he obtains the best grades of his class, which allows him to choose his internship at Estudio Sacramento.
In 2014 he created the sound and lighting company La Bodega Producciones, dedicated to the sound of shows, as well as recording and audiovisual editing.
Carlos Suay
Technical of sound
Sound technician with more than 10 years of experience in the sector. He began his career under the baton of Daniel Saiz (Studio Sacramento) in 2005 and since then he has combined his live work with that of the studio.
He has participated in the productions of artists such as Ken Hensley, Chattanooga Big Band, Tony Rowland, Camilo Sesto, Mala Costumbre, La Olla Express, Inquiro, among others, as well as in the soundtracks of films such as El Capitán Trueno, La Dama Boba, Io, Don Giovanni, Alatriste, etc…
He is a professional involved with local music and for this reason he has belonged to the Alacant Rock association and has been involved in multiple projects of a sociocultural nature such as Puentegramas.
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